← Experiments

004·October–November 2021

Overheads

Four overhead projectors, one screen

With no budget for a film, can the picture be made by hand, live, in front of the orchestra?

Four overhead projectors converge on one 8-foot rear-projection screen. A camera takes the composite into a computer, and it is projected above the orchestra. Several hundred hand-cut and printed pieces — backgrounds, characters, props — and the performers’ own shadows make each picture.

A spreadsheet tracked the four overlapping channels: what had to be prepared, what was on stage, what was finished.

What it showedWith the spreadsheet, and rehearsals against recordings of the score, the company could perform the pictures in time with the symphony.

  • Went on toRomeo and Juliet
  • WithCo-created with Amelia Scott and the Precursor Lab company; the full credits are on the project page.
Three people at overhead projectors in a dark studio; two screens show the same row of green profile headsA monitor at the Orpheum showing the camera’s picture, the picture sent to the screen, the stage, and a colour-coded table of what each of the four projectors does next

Thread

Hand-made and high-tech

Drawing, stop-motion, shadow puppetry, paint and obsolete video equipment beside current tools. The goal is not to make everything high-tech and hyperefficient.

Other experiments: Wo[v]en / Wo[m]en

In the productions: Romeo and Juliet · Día de los Muertos

Thread

Played, not cued

Video arranged so that it can be played like an instrument, in the room and in time with the performers, rather than run from pre-timed cues.

Other experiments: Liquids

In the productions: I am Alan Turing · Romeo and Juliet · Día de los Muertos